Friday, November 13, 2009

 




10 BEST GUITAR BUYING TIPS



My 10 BEST GUITAR BUYING TIPS are here to help you to make a wise descision, avoid frustration, plus save you time, and money as you search for the just the right instrument to meet your needs.



BEST ACOUSTIC GUITAR UNDER $500




Musical Styles:
BEST GUITAR BUYING TIPS #1:

Know what you're looking for.

There are four basic types of guitar:




  • ACOUSTIC - The word means “to hear” and refers to an instrument that can be heard without amplification. Acoustic guitars can have either nylon strings or wound steel strings.


  • CLASSIC
    - One of the oldest types of acoustic guitar. It is designed with a wider neck to facilitate finger-picking techniques.

  • ELECTRIC - An instrument that needs to have amplification in order to be heard.

  • ACOUSTIC/ELECTRIC - As the name implies, these guitars can be played with or without amplification.


So, just how much should you be prepared to spend? The good news is that it doesn't need to cost you an arm and a leg! You should find that spending somewhere between $100-$300 will be enough to get you started. Of course, be sure to keep in mind as a general rule: the better the instrument, the higher the price.

BEST GUITAR BUYING TIPS #2:

Buy a guitar that is best suited for the style of music you want to play. Below are some suggestions, but please keep in mind that these are only recommendations. Buying a guitar is a very personal decision, so feel free to think outside the box!

  • Alternative: any of the 4 basic types are suitable


  • Blues: any of the 4 basic types are suitable


  • Bluegrass: acoustic steel string, acoustic/electric


  • Classical: acoustic nylon string classic guitar


  • Country: acoustic steel string, acoustic/electric, or electric


  • Fingerstyle: acoustic, acoustic/electric, classic


  • Folk: acoustic, or acoustic/electric


  • Folk/Rock: any of the 4 basic types are suitable


  • Jazz: any of the 4 basic types are suitable


  • Ragtime: acoustic, acoustic/electric


  • Rock: usually played on an electric


  • Metal: electric


BEST GUITAR BUYING TIPS #3:

If you're a beginner, be sure and take advantage of package deals. This will give you an opportunity to get started without spending a lot of money first. Package deals usually offer a guitar and some extra goodies (such as a strap, pics, case, tuner, etc.) at an affordable price.


Yamaha GMDLX Acoustic Guitar Package
  • The Yamaha GMDLX for example, is a fantastic package which provides all the accessories needed to start playing immediately. The package includes a solid spruce top guitar, gig bag, digital tuner, DVD guitar lessons, strap, strings, and picks all for one great low price!









Yamaha CGS102 1/2 size classical guitar
BEST GUITAR BUYING TIPS #4:

Children and adults with small hands should consider a 1/2 or 3/4 size guitar. Also keep in mind that electric guitars, and nylon-stringed acoustic guitars, are easiest on the fingers.







Martin Little Guy LXM
  • Martin Little Guy LXM is a nice affordable steel string acoustic guitar for small hands. A good choice for those who are interested in learning how to use a pick to strum the guitar.




BEST GUITAR BUYING TIPS #5:

You will find some safety in sticking with companies that have already established a good reputation for quality merchandise and excellent service. Some well known name-brands are Ibanez, Yamaha, Fender, Ovation, Gibson, Martin, and Taylor. I often recommend Yamaha guitars for beginners because these instruments are usually well made and there is a wide selection of models to choose from. With Yamaha, you are bound to find just the right guitar for your skill level and price range that will be easy to play, stay in tune and sound good too. Later, when you're ready to go professional and start you're concert tour, you can upgrade if you need to.

BEST GUITAR BUYING TIPS #6:

Often people will put their unwanted guitars for sale on consignment at local music stores, so be sure to ask questions about this when you're shopping around. If you live in or near Montana's beautiful Bitterroot Valley, THE MUSIC BOX has a nice selection of brand-name guitars and amps to choose from plus CDs, sheet music, accessories, and more. This is a friendly family-run business located at 612 N. 1st, Suite 2 in Hamilton. Their toll free number is: 1-800-559-5491. Please mention that you were referred through my website here at ABC Learn Guitar!



LEARN HOW TO EVALUATE A GUITAR HERE...




BEST GUITAR BUYING TIPS #7:

Ask music store owners if they are planning to have any upcoming promotional sales. They may offer to put your name on their mailing list so you can stay informed and take advantage of any special offers or discounts they have in the future.

BEST GUITAR BUYING TIPS #8:

Look through classified ads and check college campus newspapers and bulletin boards. I found a great deal on a "like new" Yamaha classical guitar this way. Students are often in need of extra money to pay for tuition and books. Because of this they will often sacrifice musical instruments they are no longer using.

BEST GUITAR BUYING TIPS #9:

Buying a guitar online can be another great way to save money, but always be sure to find out what the company's return policy is. Zzounds.com offers competive prices, a 30 day return policy, plus a money back guarantee if you're not fully satisfied with your purchase. They also provide free shipping on many items.

Online auctions at eBay offer another money saving solution. However, I recommend you stick with brand name guitars and be sure to purchase only from sellers who have a good reputation. Keep in mind the old adage..."you get what you pay for.."

BEST GUITAR BUYING TIPS #10:

Enter contests that are being promoted online when you have the opportunity to do so. This is a great way to get some free gear if you win. Merchants generally require a valid email address in order to contact the winner and send updates of their products. You can always remove yourself from their email list after the contest is over if you want to.












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Brands of Guitars

A collection of links to all the major guitar company's websites, from Alvarez to Washburn.



Alvarez
Website for the St. Louis based guitar manufacturing company. Features owner's manuals in PDF format, and other items of interest.

Aria
This is an American guitar manufacturer that concentrates on making lower-priced guitars - like the "Aria Pro". The company does also deal in some higher end products as well.



B.C. Rich
From the makers of some of the most unusually shaped brands of guitars around. Includes a message board, pricing information, and more.

Benedetto
Website of luthier Robert Benedetto, one of the most widely respected archtop makers in the world. Bring your platinum card!

Bunker Guitars
This Washington-based company is responsible for designing and building some very high calibre, and unusual, models of guitars.

Carvin
Site featuring the guitars endorsed by guitarists like Steve Vai, Al DiMeola, and more. Has an extensive online catalogue.

Cort
An informative website featuring Cort instruments, along with list prices, etc.

Danelectro
This American-based guitar and effects manufacturer creates some very individual looking, low cost guitars.

ESP
This handy site offers helpful information (like prices!) on the company's interesting and attractive guitars. Hi bandwidth site that may take a while to load.

Epiphone
This popular guitar company is a spin off from Gibson. Epiphone often create lower cost guitars similar to more expensive Gibson instruments (eg. there is an Epiphone Les Paul).

Fernandes
Official site offers documentation (with pics) of the various types of guitars the company manufactures. Each guitar includes a listing of it's retail price.

G&L Guitars
Site featuring guitars made by Leo Fender, after he left Fender, and started his own company in 1980. The guitars are great; but website is poorly constructed.

Gibson
The comprehensive Gibson website features contests and give-aways, as well as plenty of information on all Gibson products.

Godin
Site of the unusual thinline hollowbody electric, and solidbody electric guitar makers, based out of Quebec, Canada. Site includes specs and pics, but no prices are listed.

Gretsch
Known primarily as drum builders, the American-based Gretsch company also creates some high caliber guitars. The website offers specs on guitars, plus company info, and a bit more.

Guild Guitars
Official site that provides several interesting features, including a "date your guitar" page.

Hamer
This company builds guitars both in the US, and internationally. The website offers the usual guitar specs, company info, etc.

Heritage
This Kalamazoo, Michigan based company concentrates on making quality archtop guitars, although they do make many solidbody models as well. The website offers specs and pics of their instruments, and more.

Hohner
This company manufactures many models of electric and acoustic guitars, plus mandolins, etc. The web site offers all the usual info on guitars, company history, etc.

Ibanez
Official website for the well-known guitar makers. Unfortunately, the site is very flashy, which makes for difficult navigation. Users with slower connections or older computers beware!

Jackson
The instrument choice of many high profile players, Jackson guitars seem suited to a "heavy rock" environment. The website offers the latest Jackson news, instrument specs, and more.

Klein
An unusually shaped line of guitars used most notably by the great Bill Frisell. If you're intrigued by odd looking guitars, take a peek at this site.

L'Arrivee
This British Columbia based company manufactures higher-end acoustic. Their official site includes model info, list prices, testimonials, and more.

Musicman
Official site of the guitars made by Ernie Ball. Pics and specs are shown for each model of guitar, but site doesn't give much other documentation, or provide any info on pricing.

Martin & Co.
Famous acoustic guitar-maker's website.

Ovation
An offshoot of the Kaman Music site, this web site is devoted to the somewhat controversial round-backed guitars.

Parker
These unusually shaped, handcrafted guitars seem to have a broad following. The website offers the typical info on guitar specs, the building process, the company, etc.

Peavey
Official site of the multi-faceted music company.

PRS Guitars
The website featuring Paul Reed Smith products.

Rickenbacker
This official site features all the customary information about Rickenbacker guitars and basses. No price information given.

Ruokangas Guitars
This company offers hand-crafted guitars starting at about the $1600(US) range, created by a luthier in Finland. Extensive documentation on construction (with pics) is provided.

Samick
Web site for the company specializes in producing lower-cost electric guitars. Typical info here on guitar types, etc.

Santa Cruz Guitar Company
These guitar makers focus on producing high end, acoustic instruments. The website provides detail on pricing, materials used in construction, dealer info, and more.

Seagull
The official site of these highly respected mid-priced acoustic guitars. Includes pics and specs of each guitar, although no retail prices are listed.

Takamine
Website of the popular acoustic/electric-acoustic guitarmakers. A lot of links going to the wrong places here.

Taylor
Nice site featuring many impressive acoustic guitars.

Washburn Guitars
A very helpful site that offers solid documentation of Washburn products, with an online price guide.

Yamaha
This multi-instrument manufacturing company has a high tech website with some interesting features. Including the regular info, you can listen to clips of Yamaha guitars in action.










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Find out how much your treasured collection is worth. More >











My 10 BEST GUITAR BUYING TIPS are here to help you to make a wise descision, avoid frustration, plus save you time, and money as you search for the just the right instrument to meet your needs.


BEST ACOUSTIC GUITAR UNDER $500

Musical Styles: BEST GUITAR BUYING TIPS #1:

Know what you're looking for.

There are four basic types of guitar:


ACOUSTIC - The word means “to hear” and refers to an instrument that can be heard without amplification. Acoustic guitars can have either nylon strings or wound steel strings.


CLASSIC - One of the oldest types of acoustic guitar. It is designed with a wider neck to facilitate finger-picking techniques.


ELECTRIC - An instrument that needs to have amplification in order to be heard.


ACOUSTIC/ELECTRIC - As the name implies, these guitars can be played with or without amplification.


So, just how much should you be prepared to spend? The good news is that it doesn't need to cost you an arm and a leg! You should find that spending somewhere between $100-$300 will be enough to get you started. Of course, be sure to keep in mind as a general rule: the better the instrument, the higher the price.

BEST GUITAR BUYING TIPS #2:

Buy a guitar that is best suited for the style of music you want to play. Below are some suggestions, but please keep in mind that these are only recommendations. Buying a guitar is a very personal decision, so feel free to think outside the box!

Alternative: any of the 4 basic types are suitable


Blues: any of the 4 basic types are suitable


Bluegrass: acoustic steel string, acoustic/electric


Classical: acoustic nylon string classic guitar


Country: acoustic steel string, acoustic/electric, or electric


Fingerstyle: acoustic, acoustic/electric, classic


Folk: acoustic, or acoustic/electric


Folk/Rock: any of the 4 basic types are suitable


Jazz: any of the 4 basic types are suitable


Ragtime: acoustic, acoustic/electric


Rock: usually played on an electric


Metal: electric

BEST GUITAR BUYING TIPS #3:

If you're a beginner, be sure and take advantage of package deals. This will give you an opportunity to get started without spending a lot of money first. Package deals usually offer a guitar and some extra goodies (such as a strap, pics, case, tuner, etc.) at an affordable price.

The Yamaha GMDLX for example, is a fantastic package which provides all the accessories needed to start playing immediately. The package includes a solid spruce top guitar, gig bag, digital tuner, DVD guitar lessons, strap, strings, and picks all for one great low price!


Ibanez IJX40 Jumpstart Electric Guitar Package includes axe, amp, cord, instruction book, gig bag and more. Jumpstart has name brand, good stuff that you can still use when you get good yourself.


BEST GUITAR BUYING TIPS #4:

Children and adults with small hands should consider a 1/2 or 3/4 size guitar. Also keep in mind that electric guitars, and nylon-stringed acoustic guitars, are easiest on the fingers.

The Yamaha CGS102 1/2 size Classical Guitar is a perfect instrument for small hands. Constructed with the beautiful tonal woods and meticulous details of a full-sized Yamaha guitar.





Martin Little Guy LXM is a nice affordable steel string acoustic guitar for small hands. A good choice for those who are interested in learning how to use a pick to strum the guitar.

The Ibanez GRGM21 GIO Mikro Electric Guitar has a 22.2 in. body scale, 24 frets and 2 humbucker pickups. It's great for little rockers or can make a nice travel guitar for adults looking to save space.

BEST GUITAR BUYING TIPS #5:

You will find some safety in sticking with companies that have already established a good reputation for quality merchandise and excellent service. Some well known name-brands are Ibanez, Yamaha, Fender, Ovation, Gibson, Martin, and Taylor. I often recommend Yamaha guitars for beginners because these instruments are usually well made and there is a wide selection of models to choose from. With Yamaha, you are bound to find just the right guitar for your skill level and price range that will be easy to play, stay in tune and sound good too. Later, when you're ready to go professional and start you're concert tour, you can upgrade if you need to.

BEST GUITAR BUYING TIPS #6:

Often people will put their unwanted guitars for sale on consignment at local music stores, so be sure to ask questions about this when you're shopping around. If you live in or near Montana's beautiful Bitterroot Valley, THE MUSIC BOX has a nice selection of brand-name guitars and amps to choose from plus CDs, sheet music, accessories, and more. This is a friendly family-run business located at 612 N. 1st, Suite 2 in Hamilton. Their toll free number is: 1-800-559-5491. Please mention that you were referred through my website here at ABC Learn Guitar!

LEARN HOW TO EVALUATE A GUITAR HERE...


BEST GUITAR BUYING TIPS #7:

Ask music store owners if they are planning to have any upcoming promotional sales. They may offer to put your name on their mailing list so you can stay informed and take advantage of any special offers or discounts they have in the future.

BEST GUITAR BUYING TIPS #8:

Look through classified ads and check college campus newspapers and bulletin boards. I found a great deal on a "like new" Yamaha classical guitar this way. Students are often in need of extra money to pay for tuition and books. Because of this they will often sacrifice musical instruments they are no longer using.

BEST GUITAR BUYING TIPS #9:

Buying a guitar online can be another great way to save money, but always be sure to find out what the company's return policy is. Zzounds.com offers competive prices, a 30 day return policy, plus a money back guarantee if you're not fully satisfied with your purchase. They also provide free shipping on many items.

Online auctions at eBay offer another money saving solution. However, I recommend you stick with brand name guitars and be sure to purchase only from sellers who have a good reputation. Keep in mind the old adage..."you get what you pay for.."

BEST GUITAR BUYING TIPS #10:

Enter contests that are being promoted online when you have the opportunity to do so. This is a great way to get some free gear if you win. Merchants generally require a valid email address in order to contact the winner and send updates of their products. You can always remove yourself from their email list after the contest is over if you want to.
guitar

Monday, June 22, 2009

acoustic guitars



Get a Major in Guitar by Enrolling In a Top Guitar Training School, Guitar Institute of Technology


















































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Musicians Institute - College of Contemporary Music












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Program Overview








In 1977, the Guitar Institute of Technology (GIT) revolutionized contemporary music education with the first full-time program to offer hands-on professional training for the electric guitarist. Over three decades later, MI remains the leader in guitar education with a unique system that combines technical, creative and professional development in a performance-based program. At MI, you learn from a proven curriculum taught by the best guitar instructors in the world, augmented by visiting artists seminars, concerts and lessons from some of the greatest players in contemporary music. Network with other players, find your creative voice, and get the training you need to become the player you've always dreamed of being.











Bachelor of Music









Guitar majors in the Bachelor of Music in Performance (Contemporary Styles) program undertake intensive instrument technique and live performance curricula along with a wide range of classes in supportive music and general studies to earn MI's unique contemporary music degree (see the Bachelor Degree home page and Program Outline for an overview of requirements).

Guitar instrument technique courses are designed and taught according to the same principles that have made MI one of the world's leading centers for the study of contemporary electric guitar. Requirements include:

G112a.b. Single String Improvisation IIA-IIB
Begins with an exploration of “blues tonality”, including the mastery and usage of blues, Dorian, and Mixolydian scales over dominant seventh harmonies. Diatonic seventh arpeggios and their applications are covered along with alternate major and minor-tonality scales, culminating in the development of diatonic key-center improvisation. One lecture hour plus one lab hour per week for two quarters.

G211a.b. Single String Improvisation IIIA-IIIB
Prerequisite: G112b Single String Improvisation IIB. Chromatic variations on key-center improvisation are introduced, including modal interchange and secondary dominants. Symmetrical scales, including chromatic, diminished, and whole-tone, are introduced and applied. Other topics include analysis of and improvisation over non-root position chords and the development of the “chord/scale” concept of improvising. One lecture hour plus one lab hour per week for two quarters.

G122a.b. Rhythm Guitar IIA-IIB
Development of chord construction skills based on the five major scale fingering patterns, including the theory and application of harmonized major scales. Introduces syncopated eighth-note rhythm figures using different harmonic textures from full chords to single-note accompaniment. Easy and moderate chord transposition is also covered. One lecture hour plus one lab hour per week for two quarters.

G221a.b. Rhythm Guitar IIIA-IIIB
Prerequisite: G122b Rhythm Guitar IIB. This course is designed around writing and performing rhythm guitar parts in a variety of styles. Concepts introduced include voice leading on the fingerboard and the use of sixteenth note and triplet syncopation. The ability to improvise and apply appropriate rhythm parts in context will be stressed through classroom performance. Moderate to difficult chord transposition is also covered. One lecture hour plus one lab hour per week for two quarters.

M142Ga.b. Reading IIA-IIB
Class covers reading on the lower and upper part of the neck. Learn to read and count “cut time”, 3/4 meter and syncopated rhythmic figures. Continue chromatic studies in the fifth position, transposing to concert pitch and chart reading, with a stronger emphasis on ensemble reading performance. One lecture hour plus one lab hour per week for two quarters.

M241Ga.b. Reading IIIA-IIIB
Prerequisite: M142Gb Reading IIB. Learn to count and read in odd meters and changing meters. Class covers reading up and down string sets, melodies with a range outside a single position, position shifting, interpretation and developing sight reading techniques. One lecture hour plus one lab hour per week for two quarters.












Associate of Arts









The Associate of Arts in Performance (Guitar) program includes a combination of general and instrument-specific courses designed to produce skilled, knowledgeable, stylistically versatile contemporary performing guitarists. Courses are described below (see course catalog for specific course descriptions and other information). Combined with regular seminars, clinics, and small open counseling sessions with internationally-known guitarists, the AA-Guitar program provides the world's premier contemporary guitar educational experience.

GUITAR CORE

Single String Improvisation I
An introduction to the fundamentals of electric guitar playing including various picking styles and performance techniques. The development of an organized approach to the neck is stressed through the application of major and minor diatonic and pentatonic scales and triad arpeggios in a variety of keys and patterns. Improvisation in major and minor tonalities is introduced, including aspects of melodic construction and rhythmic phrasing.

Single String Improvisation II
Begins with an exploration of “blues tonality”, including the mastery and usage of blues, Dorian, and Mixolydian scales over dominant seventh harmonies. Diatonic seventh arpeggios and their applications are covered along with alternate major and minor-tonality scales, culminating in the development of diatonic key-center improvisation.

Single String Improvisation III
Chromatic variations on key-center improvisation are introduced, including modal interchange and secondary dominants. Symmetrical scales, including chromatic, diminished, and whole-tone, are introduced and applied. Other topics include analysis of and improvisation over non-root position chords and the development of the “chord/scale” concept of improvising.

Rhythm Guitar I
An introduction to harmony as it is applied to the guitar fingerboard. Students learn to organize the neck into patterns and develop the ability to construct chords on the spot. Major, minor, and dominant-seventh quality chords are taught in open and movable shapes and applied to everyday rhythms and chord progressions. Rhythm techniques concentrate on developing steady time and learning typical strumming patterns and other accompaniment textures.

Rhythm Guitar II
Development of chord construction skills based on the five major scale fingering patterns, including the theory and application of harmonized major scales. Introduces syncopated eighth-note rhythm figures using different harmonic textures from full chords to single-note accompaniment. Easy and moderate chord transposition is also covered.

Rhythm Guitar III
This course is designed around writing and performing rhythm guitar parts in a variety of styles. Concepts introduced include voice leading on the fingerboard and the use of sixteenth note and triplet syncopation. The ability to improvise and apply appropriate rhythm parts in context will be stressed through classroom performance. Moderate to difficult chord transposition is also covered.

Rhythm Section Workshop I
An introduction to ensemble performance. Concentration is placed on listening, dynamics, awareness of song form, and basic chart reading as well as practical performing techniques such as giving and following cues, instrument setup, sound, and stage presence. Students perform each week and develop fundamental technical approaches to a variety of popular styles while gaining live experience.

Rhythm Section Workshop II
Ensemble performance emphasizing the fundamental rhythm section textures of various popular styles and the skills necessary for playing them. Emphasis is also placed on handling variations in typical song form, improving chart reading skills, and taking a leadership role within the group.

Rhythm Section Workshop III
Ensemble Performance with an emphasis on popular song styles. Students play pre-composed melodies over charts including both key center harmonies and chromatic variations. A final project culminates in a concert performance.

Reading I
Develops the fundamentals of music reading centered around the middle of the neck. Includes counting and reading basic rhythmic figures and rests, sharp and flat key signatures and non-diatonic notes. Also includes fundamentals of chart reading and transposing to concert pitch (reading an octave higher than written).

Reading II
Class covers reading on the lower and upper part of the neck. Learn to read and count “cut time”, 3/4 meter and syncopated rhythmic figures. Continue chromatic studies in the fifth position, transposing to concert pitch and chart reading, with a stronger emphasis on ensemble reading performance.

Reading III
Learn to count and read in odd meters and changing meters. Class covers reading up and down string sets, melodies with a range outside a single position, position shifting, interpretation and developing sightreading techniques.

Guitar Studio Recording
Course provides individualized recording session experience in a professional project studio. Students complete a 2-3 song demo CD under the guidance of a guitar instructor-producer, creating and recording rhythm patterns, fills and solos over prerecorded rhythm tracks.

PERFORMANCE

Private Lessons
Weekly instrument lesson with an instructor who guides the student in developing technique, musicianship and style in support of core curricular goals. The instructor and student jointly determine a specific course of study depending on student needs, strengths and experience.

Live Playing Workshops
Students perform regularly throughout the program in their choice of styles and settings. Regularly scheduled* LPWs include:

Blues
Classic Rock
Country Rock
Modern Rock
Hard Rock
Metal
Classic R&B
Contemporary R&B
Freestyle Hip Hop
Funk
Fusion
Latin
Reggae
Traditional Jazz Ensemble
Student Choice(styles vary)

*LPW offerings vary by quarter; check current course schedule for availability.

MUSICIANSHIP

Harmony and Theory I
An introduction to Harmony and Theory as it applies to popular music. Includes the development of fundamental music notation skills, rhythms, major and minor scales, intervals, chords and diatonic harmony.

Harmony and Theory II
Begins with diatonic harmony and expands to include chromatic variations typical of popular music, including scale and chord alterations and harmonic analysis of non-diatonic major and minor progressions.

Harmony & Theory III
A study of advanced concepts in harmony including altered scales and chords, symmetrical scales and chromatic harmony. Students learn to analyze scale/chord relationships and understand non-diatonic progressions from the perspective of both the player and writer.

Ear Training I
An introduction to Ear Training as it applies to popular music. Covers the ability to recognize by ear major and minor scales, intervals, chord qualities, diatonic progressions, and rhythms in the context of examples drawn from contemporary popular music.

Ear Training II
Concentrates on the recognition and transcription of diatonic major and minor melody and harmony and rhythmic figures including sixteenth notes. Includes specific examples drawn from contemporary popular music.

Ear Training III
Recognition and transcription of non-diatonic melody and harmony, rhythmic figures based on triplets and compound time signatures. Concepts are related directly to their application in contemporary popular music.

ELECTIVES

Each quarter, AA (Guitar) students may choose from an enormous variety of elective courses covering all major contemporary styles, techniques, and musical interests as well as general courses in songwriting, technology, music business and more. Current guitar-specific electives are listed below; topics and scheduling are subject to change and some require prerequisites. Check the current course offering for up-to-date information about courses offered during a specific quarter:

Jazz Listening
Blues Listening
Acoustic Guitar
Classical Guitar
Instrument Maintenance and Repair
Playing Techniques for Guitar
Reading Bootcamp
Rumba Workout
Slide Guitar
Metal Guitar
Applied Metal Guitar
Guitar EFX
Guitar Heroes of the ‘60s and ‘70s
Acid Jazz/Funk Guitar Workshop I
Blues Guitar
Twang Guitar
Guitar Workout
Alternative Guitar Heroes
Jazz Workshop I
Jazz Workshop II
Classical Guitar Ensemble
Pop Guitar Ensemble
Jazz Guitar Ensemble
Funk Guitar Ensemble
Shred Guitar
Applied Rock Improvisation
Applied Technique
Chord Melody I
Chord Melody II
Eclectic Electric Guitar
Country Guitar
Jazz Guitar I
Jazz Guitar II
Basic Professional Studio Skills
Fusion Masters
Guitar Heroes of the ‘80s
Melodic Soloing
Recording Guitar
Advanced Electric Guitar Styles
Acid Jazz/Funk Guitar Workshop II
Rock Rhythm Guitar
Rock Lead Guitar
Afro-Cuban Guitar
Brazilian Guitar
Funk Guitar
Advanced Groove Concepts












Certificate









In 1977, the Guitar Institute of Technology revolutionized contemporary music education with a unique approach to performance-based professional training for the electric guitarist. Several decades and thousands of graduates later, GIT remains the international leader in contemporary guitar education. The four-quarter, 60 credit-unit Certificate in Performance (Guitar) curriculum is based on a teaching system that develops technical, creative and professional skills in a performance-intensive, total-immersion environment. The large, diverse staff of the best guitar instructors in the world is augmented by regular seminars, concerts, and lessons from top-ranked visiting artists. Beyond the classroom, GIT is a unique opportunity to meet other players, find your creative voice, and become the player you’ve always dreamed of being.

Private Lessons
A weekly, one-hour lesson with an expert instructor focuses on building well-rounded, consistent technique, maximizing your strengths, and developing your own style.

Performance
Rhythm Section and Live Playing Workshops train you to put your playing skills to work on stage with a live band, teaching you the nuts and bolts of performance as you take your style to a new level.

Open Counseling
Informal, small-group lessons let you ask questions, try out new ideas, and jam with your teachers and fellow students.

Seminars/Guest Artists
Regular clinics, seminars, and concerts feature some of the greatest guitarists in the world.

Classes
Core and elective classes taught by outstanding instructors build you into a skilled, well-rounded player capable of understanding and performing virtually any style of contemporary music. A partial list includes:

Single String Improvisation
Rhythm Guitar
Harmony & Theory
Ear Training
Reading
Acoustic Guitar
Blues Guitar
Jazz Guitar
Metal Guitar
Slide Guitar
Guitar Heroes of the 60’s and 70’s
Acid Jazz/Funk Guitar
Twang Guitar
Instrument Maintenance and Repair
Applied Rock Improvisation
Recording Guitar
Afro-Cuban Guitar
Funk Guitar












Non-Certificate









MI’s Encore Program is a non-certificate option for students of bass, guitar, keyboards, drums, and voice. Working closely with the Encore Coordinator, Encore students create a personalized ten-week schedule drawn from the wide range of lessons, classes, performance workshops and other activities available for each instrument (students may also combine different instrument classes subject to availability). There are no required courses and grading is optional. All instruments, styles and levels are available and classes start every quarter.

The Encore Program includes:

Private Lessons
As an Encore student, you receive a weekly, one-hour private lesson on your primary instrument with a private instructor hand-picked to match your personal style and level. The instructor works with you in the areas of your choice, guiding you during your program while also providing you with enough information and inspiration to keep you working long after you leave (requests for private lessons with a specific MI instructor will be accommodated subject to instructor availability).

Personal Schedule
Before beginning classes, the Encore Coordinator will counsel you on course selections and arrange for a placement profile to determine the course levels for which you qualify. You may choose any combination of courses normally available to students at your level equal to a full-time credit load of fifteen units. We’ve found that students who set clear-cut goals accomplish much more in a limited amount of time, so the Coordinator will assist you in defining the results you wish to achieve. See the current Course Catalog for information on particular classes you may want to attend.

Access to Facilities
While you’re an Encore student, you’ll enjoy all of the privileges available to our students, including 24-hour access to MI’s facilities for practice and rehearsal, use of the video library, admission to special clinics and seminars, and participation in open counseling and live performance workshops.

Additional Encore information:

- State and federal financial aid are not available to students who are not enrolled in Certificate or Degree programs.

- Most core classes available to entering Encore students during January and July quarters are at an intermediate-to-advanced level. January or July enrollment is not advisable for beginning-level Encore students. Consult with the Encore Advisor before making your decision.

- All courses are not offered every quarter. Courses specific to Baccalaureate and non-instrument-based Certificate programs (as well as certain other courses offered by instrument-based Certificate and AA programs) are not available for Encore enrollment. Before enrolling, consult with the Encore Coordinator to confirm the availability of the specific courses you wish to attend.

- Encore students are entitled to the curriculum, materials and other resources applicable to the courses included in their enrollment schedule only.

- Encore students are responsible for all applicable fees

- Courses taken during an Encore session do not earn course credit, and attendance or completion of any course does not subsequently guarantee advanced placement in a Certificate or Degree program.











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An acoustic guitar is a guitar that uses only acoustic methods to project the sound produced by its strings. The term is a retronym, coined after the advent of electric guitars, which depend on electronic amplification to make their sound audible.


In all types of guitars the sound is produced by the vibration of the strings. However, because the string can only displace a small amount of air, the volume of the sound needs to be increased in order to be heard. In an acoustic guitar, this is accomplished by using a soundboard and a resonant cavity, the sound box. The body of the guitar is hollow. The vibrating strings drive the soundboard through the bridge, making it vibrate. The soundboard has a larger surface area and thus displaces a larger volume of air, producing a much louder sound than the strings alone.

As the soundboard vibrates, sound waves are produced from both the front and back faces. The sound box provides both a support for the sound board and a resonant cavity and reflector for the sound waves produced on the back face of the soundboard. The air in this cavity resonates with the vibrational modes of the string (see Helmholtz resonance), increasing the volume of the sound again. The back of the guitar will also vibrate to a lesser extent, driven by the air in the cavity. Some sound is ultimately projected through the sound hole[1] (some variants of the acoustic guitar omit this hole, or have f holes, like a violin family instrument). This sound mixes with the sound produced by the front face of the soundboard. The resultant sound is a complex mixture of harmonics that give the guitar its distinctive sound.

An example of the sounds which an Acoustic Guitar can create through vibration of it's strings. This guitar uses steel strings.

No amplification actually occurs in this process, in the sense that no energy is externally added to increase the loudness of the sound (as would be the case with an electronic amplifier). All the energy is provided by the plucking of the string. The function of the entire acoustic system is to maximize intensity of sound, but since total energy remains constant, this comes at the expense of decay time. An unamplified guitar (one with no soundboard at all) would have a low volume, but the strings would vibrate much longer, like a tuning fork. This is because a damped harmonic oscillator decays exponentially, with a mean life inversely proportional to the damping, i.e. the more the volume is increased by the soundboard, the shorter the resulting sound will last.
http://en.wikipedia.org/wiki/File:AcousticGuitarSample.ogg